108BPM
121BPM 139BPM
157 BPM 166BPM
180BPM
Just
the Bass @157 A
Piano & Drum Jam
Full
NoteWorthy Version
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The notation
with markings can be brought up in a separate window. Compare the TAB
version.
Kind Of Blue by the master Miles Davis where you'll hear the original with Paul Chambers.
Since there were so many "I"s in the notes for this tune, they were moved below so you can get right to the notation. You're welcome.
Although I did as well
as I could, I didn't do very well on this one. Well, I did learn
something about my transcription technique. It seems when writing notation
I cheat on the beat. That is, I don't always write the feel. It
seems to be a fairly common practice. The implication is: "You know
what I mean." If I neglect to note that eighth notes swing, and
don't write out the dotted-eighth and sixteenth pairs or triplet variation,
you're supposed to know what I mean. Know what I mean?
But using the NoteWorthy
Composer program to print the notation AND be the notes that
"play" the MIDI files, teaches me my flaws. Usually I work
to get it right, but this one seems still flawed. To help, I will try to
locate the flawed tape I sent to Bruce Gertz that was mentioned in
"Confirmation", and post it as a reasonable facsimile. Until
then, may I suggest Kind Of Blue by the master Miles Davis where you'll hear the
original Paul Chambers play what I meant.
Since I'm deep in confession here, let me mention some differences I have with
the notation
with markings. For years I played this tune from a 6-fret stretch in the
10th position because I liked the way the notes sounded playing the whole
riff on the top three strings. With age comes tolerance, hence the easier
9th position start, using all four strings.
Go back to the Practice Clips.
©2000 Mell-O-Dee-O-Dough Music